Wednesday, February 16, 2011

Review: When the Stars Go Blue by Caridad Ferrer

Found via: Ari at Reading in Color

Ari has been raving about this book for months - I'm so glad I could finally get my hands on it! My reaction (spoiler alert!) isn't quite as enthusiastic as hers, but I still found it to be a worthwhile read.

When the Stars Go Blue: A NovelSoledad Reyes knows nothing but dance. Since she first set foot in the ballet studio as a child, she's known she wants to live life on the stage - preferably as a ballerina, even though physically she's quite different from ballerina norms. But when she starts a passionate romance with Jonathan, a guy who's as passionate about music as she is about dance, Soledad wants to give his type of performance a try for a summer, and joins the exhausting and exhilarating world of competitive drum and bugle corp. The local group is putting on an ambitious adaptation of Carmen, and Soledad will be perfect for the title role.

As Soledad is drawn deeper into the drum and bugle corp, and into her relationship with Jonathan, Soledad is tired but happy. Until a handsome Spanish soccer player arrives and along with his team seems to be following Soledad's team from county fair to county fair, and Soledad's summer begins to have some eerie parallels to the opera she's starring in.

In the midst of this novel, I absolutely could not put this thing down. I was totally absorbed from page one. For one thing, Ferrer has nailed the descriptions of the thrill of performing. I was never much of a dancer, but I did musical theater for most of my life, so I definitely got Soledad's passion and need to be performing. I also liked how the romance doesn't take much time to heat up - there's no extended, frustrating flirtation here. Once Soledad and Jonathan know how the other one feels it starts getting steamy.

All through Soledad's passionate affair with Jonathan and the new world of drum and bugle corp performance, I was right there with her, soaring with her highs and absolutely crushed with her lows. Thrilled with the innocent flirtations of the handsome Spanish soccer player and crushed every time something worked to keep Soledad and Jonathan apart.

But when I finished the book, and started to reflect...it just didn't hold up. While Ferrer hits all of the emotional beats just right, and does an excellent job of describing those emotions, there are moments of more tangible actions where the description is lacking. Like I'm still not sure I totally get how drum and bugle corp works - when Jonathan shows Soledad a DVD of a previous performance, Ferrer does an excellent job of describing Soledad's emotions, to the point of not really describing what she's actually seeing!

I was also really uncomfortable Jonathan's behavior, and Soledad's overall reactions to it. Ferrer does an amazing job of showing how a passionate relationship can quickly slip into an emotionally dangerous one, but I felt Soledad was way too willing to forgive and rationalize Jonathan's behavior in the end - and I can't help but feel in the end she's setting herself up to be hurt all over again. She tells us how her new relationship has and will be different - but I never saw any clear signs that it will be.

I wasn't familiar with Carmen going into the book, and the story of the opera is also never really fleshed out, just like the world of drum and bugle corp. However when I looked up the opera on Wikipedia, it looks like Ferrer has done an amazing job weaving in parallels between Soledad's and Carmen's stories.

But there was also a lot to like here, too. I loved Soledad's confidence in her body, even as she acknowledges she's physically different from ballerina norms. Her relationship with Mamacita is beautiful, and while her dance partner Raj flirts with some fabulous stereotypes, I did like that his presence illustrated that there was some diversity regarding sexual orientation in the all-male corp, and gave Soledad someone to talk about boys with in a story that has only three female characters.

There are some strong feminist moments in here that had me cheering early on - Soledad's confidence in her body and sexuality, as well as Taz's encouragement of a little girl who dreams of playing soccer (I'll admit, I teared up a little. I'm a sucker for encouraging girls to follow their dreams!) were big bonuses. And of course, there's the novelty of getting a book about a young woman of color where her ethnic background is an integral part of her character but not the focus of the story. But ultimately the reactions to Jonathan in the end left me feeling on the fence overall. This is an excellent romance in multiple senses of the word - including the cliche of the genre that you shouldn't think too hard about it. Accept that it's hot and sexy and just go with the flow.

Comments (4)

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You make really interesting observations about the ending of the book. I have conflicted feelings about the portion of the book after Jonathan's episode too. While I feel that Ferrer works hard to show Soledad's continuing anger at Jonathan and to keep the reader from forgiving him (did you find that 'apology' letter jackassish?) I sort of agree about her new relationship with Taz. I don't think she's throwing herself into the same situation again, but I do wonder if the HEA required by the fact that this is a book built on romance conventions that require a certain payoff for the reader, kind of obscures what Soledad has learnt through her relationship with Jonathan. Is she rushing in for another 'forever' relationship, or is she just learning to love again do you think?
1 reply · active 736 weeks ago
The apology letter was a total jackass move. And I had no problem with the character continuing to be a jackass (you don't unlearn abusive behaviors overnight, even if you very much wish to change) - but it was the fact that Soledad was so quick to forgive that rubbed me the wrong way. I don't have the book with me anymore but I wish I could quote what made me think Soledad was more forgiving than angry. It's definitely a subtle thing, and I may have only interpreted it that way because forgiving/excusing abusive behavior is a major irritant of mine.

I sincerely hope that Soledad is learning to love again - I have no problem with her finding a new relationship by the end of the book. But Taz shows a few signs that could either be legitimate devotion or just another shade of Jonathan - rearranging his whole life to be near a girl he's only talked to a handful of times is near the top. I think in theory it's supposed to be romantic, but since I'm an impossible unromantic, I hear warning bells about that level of obsessive devotion.
Oh I hadn't even thought of that! That is such a good point. I mean if Soledad did that I'd have heard warning bells so fast.
Aw so you don't absolutely adore the book :( BUT you did pick it up and like it so that makes me happy :) And you bring up some excellent points. I was so caught up not just in the sexy romance but in how perfectly Ferrer nails the feeling of euphoria that comes with performing that I never stoppped to notice that I still don't really know what a drum and bugle corps does. haha. I've seen Drumline so I think I just imagined a bunch of super dedicatred and passionate people playing the drums in striaight lines with flag bearers?

From one teenage perspective though, I feel like if I was Soledad I would probably try and rationalize Jonathon's behavior to because it's really hard to accpet that the first person you fell in love with was actually rather psycho. And I probably would be blinded by how adorable Taz was :)

great review!

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