Thursday, January 13, 2011

Review: Jumpstart the World by Catherine Ryan Hyde

This one's been on my TBR list for awhile, but it's such a slim book that I put off reading it for awhile after picking it up from the library - short books like this I usually finish up in less than two subway rides, leaving me bored and bookless for part of my commute home. But then I heard some Printz rumblings for this and figured that a lazy Saturday night spent in bed, where I was trying to rest and kick the last bit of my week-long cold, was the perfect time to pick it up.

Jumpstart the WorldWhen Elle's mother picks up a new boyfriend that doesn't want to deal with a teenager in the house, she's set up in her own apartment on the other side of New York City. For most almost-16 year olds, this would be a dream come true, but Elle's just angry that her mother is pushing her aside for the comfort of her newest boyfriend - who, by the way, is taking her mother on a cruise over Elle's 16th birthday. There are only two good things about the new apartment: getting to pick out a new cat (a scared, scarred black cat, the antithesis of everything her mother likes), and her new neighbors - specifically Frank, who may be older and has a girlfriend, but Elle can't help immediately forming a little crush on him.

The new boyfriend also doesn't want to pay for Elle's private school, so she's starting a new school year at a new school, where the only people interested in being friendly are a group of outsiders, most of whom happen to be gay.

When Elle isn't sure she wants to be friends with this group - not that she's homophobic or anything - Frank is the one that listens to her. Frank and his girlfriend invite Elle over for homemade chicken soup, and introduce her to the wonders of photography. Just as Elle begins to acknowledge she's falling for Frank and falling hard, she's shocked to discover that "Frank" hasn't always been Frank - he is, in fact, a transgendered man. The truth turns Elle's world upside down, forcing her to search for the true meanings of friendship and family.

The writing here is spare but thoughtful, and feels very much like we have a direct line to Elle's thoughts. On that level I can totally see why there was Printz buzz for this. On the other hand, there's a stunning lack of character development. Elle, Frank and Elle's new school friend, Wilbur, are the only three that get any sort of depth, but even Frank and Wilbur feel more like stock characters. Here's how bad it was for me: at one point, Elle's cat is sick and needs to be given antibiotics twice a day. At the same time, one of the other characters ends up in the hospital and Elle is spending most of her time there. During this dramatic time, all I could think was that she needed to keep giving the cat antibiotics or it was going to die. I know my great love of cats probably makes me biased, but I really shouldn't have more sympathy for a cat than human characters.

Hyde does do a good job presenting Frank as just another character and never slips into being too didactic about the particulars of trans life. Details of Frank's transition, and of continuing issues as part of his trans identity, are integrated into the story and only those bits that have an impact on what's happening at the moment are included. I note this because the last book I read with a transgendered character was Almost Perfect, which did stop to explain the minutiae of transitioning. However, the presence of a transgendered character is about the only similarity between the two novels (I still highly recommend Almost Perfect - and, of course, so did the Stonewall Award committee!).

Tuesday, January 11, 2011

Book Thoughts: 2011 Awards

So yesterday was the big day in kidlit land - the announcement of the ALA's Youth Media Awards. It's already been pointed out that I was way off on YALSA's nonfiction award, but how did the other awards shape up?

Now, if I ran through every single award and honor presented yesterday, we'd be here all day. So instead, I'm going to comment on the most notable (to me) awards for the YA contenders, as well as link to my reviews when applicable, but direct you to the list of all the winners.

Big winner: One Crazy Summer. I clearly made a mistake in not writing up a full review for One Crazy Summer because that was the book to beat this year. A National Book Award honoree, Scott O'Dell award for historical fiction winner, Coretta Scott King Author award winner, and Newbery honoree. It's a small book - where on earth are all of those medals going to fit?!

Awards that made me squee at my desk: Five Flavors of Dumb winning the teen Schneider award and Almost Perfect winning the Stonewall award. I totally didn't expect either of these titles to get any awards attention - Five Flavors of Dumb because of its November publishing date and Almost Perfect because it's actually a 2009 book (and was on the 2010 Best Fiction for Young Adults list). So these were both very pleasant surprises because of my absolute love for both of these books.

Award that made me fistpump: Ship Breaker winning the Printz award. In movie-land, science fiction gets the short end of the stick. Thankfully, YA book people know an awesome book when they see one and gave this epic environmental dystopian tale the top award in the field. SO EXCITING. Also awesome? Our collective excitement got both Ship Breaker and Printz to be trending topics on Twitter. The #alayma hashtag also ended up trending for awhile near the end of the ceremony. Book geeks are loud and proud on Twitter.

The only other award I'm on record predicting and getting right: Firefly Letters getting a Pura Belpre honor. Over at Reading in Color I predicted that The Red Umbrella and Efrain's Secret would be recognized and Firefly Letters would get at least an honor, since she won in both 2008 and 2009. The Belpre committees clearly enjoy Engle's work!

Award that seemed to come out of left field: Moon Over Manifest winning the Newbery. I'm far from an expert on MG fiction, but I hadn't even heard of this one (despite its three starred reviews). I don't think I even saw it on any mock-Newbery lists, and no one mentioned it in last week's Twitter kidlitchat!

Was the National Book Award a predictor for ALA awards? Well, half of the NBA honors won big prizes, and a third honor was also honored at ALA (Lockdown by Walter Dean Meyers is a Coretta Scott King award honoree). Dark Water was completely left out, as was the actual NBA winner, Mockingbird. In the kidlitchat, it was mentioned that the NBA winner never wins the Newbery, and that has held true for another year - seems like it's almost preferable to just get the NBA honor!

Book that left Angela alone in the cold: Stolen. Clearly I'm alone in how this title underwhelmed me (and I still haven't found anyone who can adequately explain why Ty is at all desirable for anyone not suffering from Stockholm Syndrome), given that it received two starred reviews before getting a Printz Honor. I don't want to be unnecessarily negative here, but I just had to say something on this one.

Wait, what didn't win an award?! Out of My Mind. Seriously. Nothing. What on Earth happened there? I acknowledged in my favorite books of 2010 post that some MG experts had problems with the title...but were so many opposed that it didn't get any love? Hopefully it's a book that will get enough word-of-mouth attention to keep it finding new readers for a long time.

This week we should also be seeing what the longer book lists selected as the top books of the year. I can't wait to see what the Best Fiction for Young Adults and Amelia Bloomer lists come out with!

Monday, January 10, 2011

Nonfiction Monday Review: Every Bone Tells a Story by Jill Rubalcaba and Peter Robertshaw

Found via: YALSA award for excellence in nonfiction nominee

Today's a big day in book-world: the ALA's Youth Media Awards are announced today at 7:45 AM Pacific Time - it's more than possible that you're reading this after the award winners have already been announced! Be sure to check out the link for a list of all the awards being presented today - the big ones are, of course, the Printz and Newbery awards, but 17 other awards are announced today as well, including the YALSA award for excellence in nonfiction for young adults. This review marks the completion of my goal to read and review all five of the nominees in that award, so I'm definitely excited to see which of these worthy titles win!


Every Bone Tells a Story: Hominin Discoveries, Deductions, and DebatesEvery Bone Tells a Story looks at four significant discoveries of ancient bodies, and what these bodies can tell us about how Earth and humans have evolved over millions of years.

Each discovery is given its own chapter, and each chapter is divided into the same four sections: Discovery, Deductions, Debates and Further Reading. Additionally, there's also a page or so of speculation opening the chapter, presenting a possible account of how the person died.

Turkana Boy                                                           Wikipedia
But that doesn't make the book repetitive - each chapter includes unique information, not only about the discovery in question, but about archeology in general. For example, in the first chapter on Turkana Boy, it's mentioned that scientists from all different fields work to come to conclusions about the discovery, however it's in the next chapter on Lapedo Child that we actually get detailed descriptions of four different types of scientists who contribute, from paleopathologists who study skeletons for signs of disease, to archaeozoologists who study animal remains to determine human/animal relationships. I had no idea so many different sciences were involved in archeology! As Rubalcaba and Robertshaw point out, archeology is definitely not about tomb raiding and bull whips.

The text is simple and straight forward, making this title accessible to a wide range of readers. Perhaps my favorite part of the book were the debates section of each discovery, just for the wide range of debates presented. Sometimes they're academic and scientific debates - did neanderthals and early humans co-exist enough to inter-breed? When did true language develop? But in the case of Kennewick man, serious ethical debates arose about the possibility of his identity as a Native American, and a little bit of the history of European settlers desecrating the remains of Native Americans and the ongoing struggle many Native tribes are facing to ensure the bones of their ancestors are treated with the proper respect.

My other reviews for YALSA nonfiction nominees:

2010 was an excellent year for nonfiction. I'm so happy I got involved with Nonfiction Monday as it has really encouraged me to seek out nonfiction and gives me a constant source of new nonfiction recommendations.

As for award predictions...I'm usually terrible at these, but I'll take a stab this time. It's going to be either Every Bone Tells a Story or They Called Themselves the K.K.K., but I think my favorite book of this list is The Dark Game. However since my favorites rarely actually win the big awards, we'll see what happens.

Nonfiction enthusiasts should also be on the lookout for the announcement of the Sibert medal, which is for informational books for audiences birth through 14.

This week's Nonfiction Monday is hosted by Tales from the Rushmore Kid. Be sure to stop by to check out the other great nonfiction highlighted this week!
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Friday, January 7, 2011

Review: The Jumbee by Pamela Keyes

Found via: Forever Young Adult

Phantom of the Opera is far from my favorite musical - even among Andrew Lloyd Webber shows it doesn't rank very high (my favorite is totally Cats and I feel no shame for this. Well, not much). Even so, I think as a theatre geek I'm contractually obligated to at least pay attention to a book that re-tells the story of the classic musical (and, of course, novel). The Jumbee takes the basic premise of Phantom, but instead of 19th century Paris opera, it's contemporary Caribbean high school theater. Keyes deftly weaves the themes of the original into the new story, with just enough twists to keep even those of us who know Phantom guessing.

The JumbeeFollowing the tragic death of her father, famed Shakespearean actor Alan Legard, Esti and her mother relocate from Oregon to her father's enclave on the island of Cariba. Both women are hoping that a change of scenery will help them move on; Esti in particular is hoping to rekindle her passion for acting by getting the lead in the prestigious high school's production of Romeo & Juliet.

Cariba is an island steeped deeply in tradition and superstition. When a student dies within days of Esti moving to the island, tongues start to wag. When Esti begins rehearsing in the dark theater, alone, rumors begin that she's communicating with a jumbee - a ghost who is often malevolent. When Esti begins hearing a voice in the dark with her, she's not sure what to think, either. The voice - Alan - claims he was a student of her father's. But why did her father never mention this brilliantly talented student with the sexy voice? And if he's truly there, why does he always insist that the lights must remain on? Esti isn't particularly superstitious, but if there's anywhere ghost stories could be true, it would be on the island of Cariba.

Just as Esti is sure she's falling in love with the mysterious Alan, her childhood friend and resident playboy, Rafe, returns to the island from LA. Rafe and Esti immediately resume their friendship, with the possibility of something more always bubbling beneath the surface, but Esti is torn between the two boys. One with whom she has a lifetime of history, the other who has reawakened her passion for the stage. With her other relationships and responsibilities faltering, Esti must discover who Alan truly is, and make a fateful choice.

There are plenty of obvious parallels here between The Jumbee and Phantom of the Opera: the love triangle, a mysterious teacher, a diva who gets every coveted role even when a more talented ingenue appears. However, that doesn't necessarily make the novel predictable. For example, even though I know Erik turns out to be a real man rather than a ghost, Alan's corporealness (or lack thereof) goes a long time without being explicitly confirmed or denied.

Because it's not clear who - or what - Alan is, there are some parts of his and Esti's relationship that made me uncomfortable, but could plausibly be explained by jumbee magic - or just an extremely accomplished manipulator. They don't have a healthy relationship at times, but it's not quite Bella/Edward levels of creepiness.

Speaking of creepy, Keyes does a fabulous job of creating the atmosphere of the fictional Cariba. The school has a sordid past as a plantation with a particularly sadistic slave owner, giving rise to the stories of the jumbees and their various hauntings. The island is in equal parts a lush tropical paradise and the setting of a horror film.

Keyes also integrates the Shakespeare into the text well. Enough happens off stage that the scenes that show the rehearsals or performances for Romeo & Juliet don't feel boring or overdone.

The story is thoroughly enjoyable with some great scenes and set pieces, but the actual writing felt awkward and clunky at times, which holds me back from recommending this whole heartedly. Fans of Phantom should enjoy it, and the unique setting and diverse cast are also major bonus points, but the actual writing style kept me at a bit of a distance.

In other news: Yesterday was the official start of the 2011 Comment Challenge hosted by MotherReader. The challenge lasts for 3 weeks and the goal is to leave 100 comments on other book blogs in order to encourage the habit of commenting. I did this last year and had a blast "meeting" new people and finding new blogs. Welcome new readers who found me through the challenge, and I encourage everyone else to join in the fun!

Wednesday, January 5, 2011

Review: Five Flavors of Dumb by Antony John

So...it's music week on Bookish Blather!

Well, not really, since I don't have another music-related title for Friday, but I've sure gone through a bit of a music spell the last few weeks, with Janis Joplin, 50 women in rock songs, and now a high school hard rock band with a deaf manager.

Five Flavors of DumbWhen the winners of the local Teen Battle of the Bands put on a show on the school's front steps that literally sets their amps on fire, Piper is fascinated. In a moment of recklessness, she volunteers to be their manager, betting that she can get them a paying gig within a month. The move shocks her friends and family; Piper is a quiet student who doesn't know the first thing about music - and she can hardly hear Dumb anyway. Piper is profoundly deaf and can only hear with the assistance of the Barbie-pink hearing aids she's been saddled with since she was 6.

But Piper is determined to prove herself as a capable manager - and she's desperate for the money, any money, after she learns her parents have plundered her college fund in order to pay for the cochlear implants of her deaf baby sister. Home life is stressful with the new baby and the constant reminders that even as a toddler Grace can hear more than Piper ever will - so Piper is willing to do anything and everything to get Dumb the publicity they need so she can restore her college funds and escape to the elite Gallaudet University with its extensive programs for the deaf. But the members of Dumb aren't always willing to play nice - members are alternately apathetic, diva-licious, angry, shy and outright incompetent. Piper has her work cut out for her as she tries to meld the five distinct flavors of Dumb into one harmonious sound.

I love pretty much everything in this book. For one thing, it doesn't follow the "standard" band storyline I've seen in so many movies. You know how it goes - band experiences sky rocketing fame, then falls into the temptations of sex, drugs and rock and roll, before diving into a self-destructive spiral that only ends when everyone hates each other and/or someone is dead. Instead, Dumb starts as dysfunctional - they only know three songs, and they're all covers. The band consists of a lead singer, a bassist, and a guitarist who only knows three chords. So first Piper recruits a drummer. Then the lead singer insists on bringing the school's resident hot chick into the mix - even though she has no discernible talent. It's a complete and absolute mess all around, but Piper - driven by desperation for money and approval - keeps on going.

Piper is far from perfect. She is not Inspirationally Disadvantaged, nor is she the Disabled Snarker or any number of other tropes for the disabled that pop up often in the media. Yes, Piper is deaf, and this has clearly profoundly affected her life. Sometimes she's bitter about it - or at least bitter that her sister is able to benefit from her treatment in ways Piper never could have. She's clearly not a saint, and pulls some really crummy moves in her desperate attempts at achieving stardom for Dumb. She is the very definition of a well-rounded character, and it's wonderful to watch her grow as a character throughout the story.

Five Flavors of Dumb also gets major bonus points for the subtle "Girl Power" message. Dumb ends up with two female band members, and they absolutely don't get along initially - but it's also because one doesn't respect the other's ability, not out of any catfighting scenario. And the two band members and Piper end up banding together at a crucial moment to offer each other support. John doesn't call explicit attention to these moments, but I've seen so many stories where girls have superficial friendships, or no female friendships at all, that's it's just fantastic to see these complex relationships play out in a totally natural way.

More bonus points, coming from this non-music person: John weaves a mini-lecture on the Seattle music scene into the story. Seattle, of course, has been home to some of American music's most influential players, and Piper is introduced to two of them via a mysterious scavenger hunt: Kurt Cobain and Jimi Hendrix. The scenes that play out around the search for Hendrix's childhood home are especially moving.

And I know this review is getting long, but one last comment - what an AWESOME cover! It totally embodies the rock and roll feeling of the novel. I have so much love for this one, I'm surprised that I only found out about it through my library's "Teen Scene" newsletter - usually by the time that arrives in my mailbox I've read or requested every title! So thanks, Queens Library, for pointing this one out!

Monday, January 3, 2011

Nonfiction Monday Review: The Girl in the Song by Michael Heatley

Found via: Chasing Ray

I'm not generally a big music person - I'm not the type that is constantly hooked up to an iPod or streaming Pandora. The music I do listen to, however, I like to know a lot about. The lyrics at a bare minimum. When VH1's Behind the Music debuted, I was totally fascinated because I wanted to know what inspired people to write the songs they did. The Girl in the Song fulfills that need for me, describing the women who inspired 50 rock songs, by artists ranging from Buddy Holly to David Bowie.


The Girl in the Song: The Stories Behind 50 Rock ClassicsHeatley arranges the songs by title and methodically spends a couple of pages on each song, dedicating most of the text to a biography of the woman and/or how she inspired the artist, and then in a box at the end gives a short introduction to the band or artist (as necessary - eventually all of the Beatles and Rolling Stones pages are dedicated just to the woman, because there's only so much you can say about those legendary groups without becoming redundant).

Perhaps because the book is limited to "rock" songs, it sometimes feels a little redundant - as I said, there are a lot of Beatles and Rolling Stones references. Even David Bowie has multiple entries. I'm far from a music encyclopedia, but were there no other songs worthy of having their stories told?

That being said, I did like that variety that is included. Most of the songs are well known by now, and some of the background stories are well known, too, but others are more obscure. Leonard Cohen wrote Chelsea Hotel No 2 about Janis Joplin. "Fire and Rain" was written in part as a memorial to a dead friend. I was especially fascinated when the same person came up multiple times. English model/photographer Pattie Boyd inspired at least three songs by two different artists - husbands George Harrison and Eric Clapton, and the Farrow sisters Mia and Prudence both inspired famous songs.

I really appreciate that Heatley keeps most of the focus on the women who served as inspiration for the songs. The artist's side of the story has already been shared with millions of people - it's about time the woman's side was shared. Heatley highlights how the songs popularity affected the women, and their own career accomplishments.

This is a quick read, but extremely fun for pop culture and music trivia fans. While it's not specifically a YA title, I think it will have a lot of interest for young music fans, and could be a great companion read to a book like Audrey Wait, which is all about how life changes dramatically for a girl who inspires a major hit song.


Nonfiction Monday
This week's Nonfiction Monday roundup is hosted by Charlotte's Library. Get 2011 off to an educational start and see what else is being reviewed today!

Saturday, January 1, 2011

What Have I Missed? Personal 2011 reading challenge

As described a few weeks ago, I'm embarking on a personal reading challenge in 2011 - do some nominal catching up on books that I missed the first time around, focusing on books published between 2003 (when I graduated high school and thus lost my regular access to Cindy & Lynn's stash of books) and 2008 (I didn't start blogging, and thus keeping up on the latest in YA, until December 2008).

I've solicited suggestions from readers and friends, as well as looked at the various awards lists for those years, and have selected the following books so far to read in the next 12 months.

A Northern Light by Jennifer Donnelly (recommended by a friend on Facebook)
How I Live Now by Meg Rosoff (recommended by Rachel, 2005 Printz winner)
A Curse Dark as Gold by Elizabeth Bunce (also recommended by Rachel)
The First Part Last by Angela Johnson (recommended by Ari, 2004 Printz winner)
Chanda's Secrets by Allan Stratton (2005 Printz honor)
I Am the Messenger by Markus Zusak (2006 Printz honor)
Anahita's Woven Riddle by Meghan Nuttall Sayres (2007 BBYA top 10)
Bucking the Sarge by Christopher Paul Curtis (2005 BBYA top 10)
Adoration of Jenna Fox by Mary E. Pearson (recommended by Megan Miranda on Twitter)

That's nine titles so far, which means since I want to read 12 this year, I have three more to pick out over the next 12 months. Hopefully I'll get those through suggestions throughout the year.

January's book will be A Northern Light, since I picked that one up while I was on vacation. And then as soon as I finish that one I'm going to be getting Jennifer Donnelly's newest book, Revolution, since that one's been burning up the blogs for awhile now. The two aren't related, but it seems as good an order to reader her books in as any!

Happy new year, everyone - hope you all have the best of luck in meeting your own reading goals this year!
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